Tuesday, December 9, 2014

Woven Poinsettia and English Garden

Do you detect a theme here?? Maybe it's all the rain we're getting, or the unseasonably cold temperatures, but my mind is seeing these scarves in terms of plant coloration.  It's probably just wishful thinking!

The "Secret" scarf wove up even better than I thought!  It still needs fringe twisting, so no finished photo yet, but I can't help but love the gentle pooling of color along this warp.  It reminds me of an English garden, yes but more like a watercolor of an English garden.

Those reed marks should lessen in the laundry.  I plan to twist the fringe this afternoon.

The Poinsettia scarf encountered all manner of problems, mostly from the sectional warping process. One section ended up shorter than the others, plus the scarf is more narrow because I ran out of yarn before I could wind the final 2 inch section.  Thus this scarf is more narrow than I usually like to weave.  Setting up the Glimakra totally flummoxed me (again!), so I had to haul out the books and redo everything, which took the better part of yesterday.  This morning I finally got to begin weaving, and that went quickly - that loom may be a bear to prep, but it is a dream to weave on.  Right up until one of my section "cords"came untied from the rod on the warp beam.  I tried to retie it, but could not attain the correct tension.  Luckily that happened close to the end, so with every pick I had to put the shuttle down, reach over the reed and tension that section by hand.  It worked, for the most part, but there will be a few wonky slevedges, I'm sure.

I plan on hemming this today, then into the wash they both will go!  Finished photos next time.

I've also finally gotten back to my hand spun sock knitting. Last summer I spun this Panda fiber (merino wool/bamboo/nylon) from Fat Cat Knits, entitled "Moxie."

It became these 3 ply skeins;

It always amazes me how different the yarn and the fiber can look!

I then started my sock and got this far

before life got in the way.  A month or so ago I decided that I really should get back to knitting the sock, so I picked away at it, never very happy about the project.  I think it was because the yarn felt a bit hard, which hopefully will mean it will last, but it took a lot of the enjoyment away.  As always, I used mill spun for the heels.  Last night I completed the first sock!

Isn't it funny how the beginning and end (toe and cuff) are the same color?  The abrupt change for the cuff was unplanned - it is just the way the colors mixed in the spinning.  I would have preferred a more subtle change, but it is what it is.

Here's hoping for a break in this gray, drab, cold weather!

Thursday, December 4, 2014

English Garden

That's what comes to mind when I look at this yarn that I purchased from Tammy at Yarntopia Treasures on Etsy (https://www.etsy.com/shop/YarntopiaTreasures?ref=shop_sugg).  She does wonderful work and has a great sense of color.

This tencel is called "Secret;"

I wound it into a cake:
and quickly warped it on the Baby Wolf for a tabby scarf.

I'm in love with this scarf already, and I haven't even started weaving it yet!

I was trying to come up with a good color to use as weft for this project, but failed, so I asked Tammy what she would recommend, and she dyed a skein of yarn to match the rose color in my warp.

I love the subtle differences in this yarn as well.  I think it might be hard to let this scarf go!

I also purchased another skein from her, this one is called "Poinsettia.


This went on the big Glimakra, using spools, rack and a tension box.  There was a glitch putting it on, so this scarf won't be as wide as I usually make, but I do think it will be lovely nonetheless.

My last project, the turned twill towels, came out quite well, I think.  I just love how geometric the pattern is.
As always, they're available in my Etsy shop! https://www.etsy.com/shop/ThreadbareDesigns

I'm attending a small craft fair tomorrow at the hospital's holiday party.  I've yet to attend any of the holiday parties they have had in the past, which used to be quite swank with dinner and dancing.  I've been told this one is more family friendly, and is pure "mayhem."  I'm a bit worried about that part, but it will probably ease some of the tension I usually feel at this things.  AND, they say I will be given a "special plate," meaning that I may be able to eat something that is gluten/dairy free and vegetarian and not just a salad!  That would indeed be festive!

Sunday, November 16, 2014

"Looming" Deadlines!

C'mon, you knew I had to use the pun, right??

The holiday craft fair through work is coming up very soon - Dec 5th, to be exact.  I'm trying to weave a couple of towels a day on my days off, and am awaiting some hand dyed tencel for a couple of scarves.  I think that will be my limit, so any time left over I will use for tagging, creating signage, etc. I'm glad I chose to use a natural colored warp, as opposed to white - it seems to give some of the towels an antique-y feel.

So far, I've woven 5 towels on the 8 towel warp, and these are the colors:

a mid-range red:

a bright blue;

and yes, I didn't see the sleying error until I was well into the second towel, so it will just have to do!

A lovely dusky purple, which is hard to capture;

and a mid-tone green, for which I've only taken an underneath photo that doesn't show the color well;

My plan is to weave another green, and then maybe use something bright for one or both of the remaining towels.  The pattern is very easy to do, but I've been quite distracted lately, so there has been a lot of unweaving, which is so time consuming with an EFS.

Is it just me, or is time flying by at an unbelievable rate??  It's almost Thanksgiving already, and it feels like we said goodbye to summer not long ago.  Having this winter-like cold and snow doesn't help, I guess, but relatively speaking, I know that time will indeed seem to go by faster the older I get.  I need to remember to stop and appreciate the small moments along the way, or it will all be a blur.

And just as a reminder, I'm still trying to sell my Leclerc Fanny loom!  45" wide, counterbalance, with a bench and all sectional equipment. Asking $600, and we can drive up to an hour to deliver/meet you.

Thursday, November 6, 2014

A Break

No, I haven't fallen off the face of the earth, not yet anyway.  As always, life keeps poking its head in the way of keeping you informed of my latest weaving pursuits.  The latest interruption was the surprise winter storm that pounded our part of Maine last weekend.  We were supposed to get less than "a slushy inch on grassy surfaces."  What we got was a foot of wet, heavy snow, along with strong wind gusts, some of which reached 50 mph.  Trees were damaged everywhere, landing on houses, streets and power lines.  We lost power, only for 30 hours or so, but our furnace was broken in the process of trying to hook it up to a generator, so we only got heat and hot water yesterday, after 3 days without them.  Boy, did that first shower feel great!  (I did wash up at the sink, you cynics!). And late last night the final piece fell into place - we got our phone and internet back!  So, dear readers, you can see that unless you wanted a blog from my phone, which I certainly did not, you had to wait until I could get back online.

Over the last couple of weeks, I've gradually been making friends with my Glimakra loom.  I finished all the tie ups, and warped her with a cotton warp for some simple twill towels.  Initially I struggled to "find" the treadles without looking, since they are hinged in the back and can move quite a bit. Even taking that into account, I felt like the weaving was going terribly slowly.  I would weave and weave and weave, and discover that I'd only completed a few inches, which compared dismally to any other weaving of similar types.  I could not figure it out, until it dawned on me - the overhead beater is very heavy, and using the same force as I have with my other loom, I was packing the weft in very densely.  Once I adjusted for that, the weaving went much more smoothly.  There were a few sleying mistakes, but overall the last two towels came out well enough to be gift-able.

No official photos yet as they haven't been ironed, but the colors make me happy!

I've just wound 9 yards of 10/2 merc cotton on the baby wolf for some Drall towels, and as always, I ended up with tension/tangle issues from winding on my mill.  I cannot understand what I'm doing wrong, but it is happening so frequently that I'm beginning to feel like it is going to be standard operating procedure for me.

I did plan on dressing the big loom next with more random stripe towels, since I love making them and I think they would be popular during the holidays, but I also have a custom baby wrap order to start.  I promised the start would not be any later than the first of the year, so I have some time, but I'm hoping to warp sectionally, and since I haven't done that with the Glimakra yet, I want to give myself some wiggle room.  The design encompasses 9 vibrant colors, so I have been spending some of my meager time off writing out the thread by thread colors for all 748 ends.  Not my favorite thing by far, but I think the final product will be stunning.  I'm keeping it under wraps for now, so you'll just have to wait to see it when it's on the loom.

Someone I corresponded with hinted at a way of sectional warping without having to create all of the tie cords for each section.  She said that the Glimakra site had info on this, but I still don't really understand it. http://glimakrausa.com/glimakra-products/loom-accessories/#3 is the link which shows the tension box with a brief explanation of the process.  Does anyone out there weave sectionally on a Glimakra, and can share this information?  I'd be most grateful.

Friday, October 10, 2014

Busy Busy!!

Where has the time gone??  I can't believe it is already mid-October, although the tempurature is reminding me nicely.  I've been busy trying to get the first project on the Glimakra, as well as plan and begin some tencel shawls for the Etsy shop.  All of this precedes the co-op ad in the November issue of the Downeast magazine that I took part in.  I'm hoping it will drive more people to my Etsy shop.  If it does, it would be good to have it stocked up, right?

For the Glimakra, I chose a simple straight twill for a quick set of 4 cotton towels.  At first I was leaning towards Christmas colors for obvious reasons, but I just couldn't get excited about them, so instead I went with two of my favorite colors - purple and aqua, separated by 4 picks of black.

I don't know what it is about purple, but several women of my (ahem) age group say that they love purple as well.  Perhaps there is something to be said about menopause being adolescence in reverse, since I LOVED purple in junior high!

I decided to beam the warp non-sectionally, figuring it would be faster than having to set up all the ties necessary for sectional warping.  I did find that I don't need a trapeze arrangement to do it with this loom - the frame works great!

I had my usual tangling issues, but worked through them.  I wish I could figure out where I am making all these mistakes. Another shot...

My next adventure was threading the heddles.  This loom came with string heddles, and I wonder if they are all the same size, or whether some have stretched, because the bottom heddle bar is not hanging in such a way that all of the heddles are taut.  I'm sure this will lead to a shed that could use some improvement.  I removed the breast beam to thread, knowing that the bench fits inside the loom. However, with both legs of the bench inside, I can't sit straight because the cloth beam is only inches away.  I compromised by having one leg of the bench inside and one outside.  It worked, but was not the best.

Last night I started sleying, and really ran into a road block.  On my other looms, I've always been able to sit on the bench and sley with the reed in the beater, but this beater is HUGE. I can't see over it, and can barely reach the heddles.  So I sleyed standing up for awhile - not fun.  Then I put the bench seat very high and did some sitting - again, not fun.  Finally I smartened up and asked for help on Ravelry, and as always, folks jumped in to help.  Apparently, the best way to thread the heddles with this loom is to move the shafts towards the warp beam, so the bench fits inside comfortably.  And several people recommended placing the reed horizontally, either on sticks or suspended with string, and sleying by having the hook underneath, reaching up for the ends.  It was awkward at first, but it definitely worked better.  I managed to get the whole warp sleyed before bed.

Here is how I suspended the reed;

Today I will be lashing on, and hopefully spreading the warp.

I also spent a bit of time this morning winding another tencel warp for Snowflake shawls.  I tell you, after fighting with cotton lately, there is nothing nicer than winding tencel.  It just flows through your fingers!  I got all 398 ends wound in no time.

The warp is red-purple, and the weft will be eggplant. Purple again, anyone??

I've also been in contact with 2 folks online who want me to weave them custom baby wraps!  There are still a lot of logistics to work out, and the weaving won't happen for some time, but I'm excited to dive back into design work.  I just have to figure out my big loom before then, and maybe buy some texsolv heddles to make sure I get a good shed.

Thursday, September 25, 2014

Learned Something New!

The last time I posted, it was to tell you that I had to measure another warp in order to complete the set of eight placemats ordered.  The warp went on with tangles, despite being wound under even tension on my mill (I really must find out what I'm doing wrong there!), but it went on none the less.  Threading, sleying and tying on happened without a hitch.  I wove another placemat with 6 repeats, following my notes from the previous warp.  Once completed, I wanted to do the finish work on that one mat before weaving the rest of the warp, so I decided to try a method I had read about.  Peggy Osterkamp has published a method for being able to cut something off the loom and tie the rest of the warp back on without having to resley, etc.  There had been some talk about it recently on Ravelry, so I took notes and dove in.

At the end of the piece that was to be cut off, I wove a couple of shots of tabby, then another inch of tabby in a contrasting yarn.  I then placed two sticks, one in each tabby shed, then wove another inch of tabby.  Steadying my nerves, I then cut the woven mat off, and this is what was left;

Then, I folded the sticks on each other, which gave me a finished edge to tie onto the front of the loom.

I used doubled 3/2 mercerized cotton for the ties.  I think my sticks were a bit too thick, though, because they wouldn't lie aligned with each other.  Next time (and yes, there will be a next time - sigh) maybe I need to weave a bit of tabby between the sticks.  Because they wouldn't align, it was harder to place the cotton ties against the wood without grabbing some of the tabby weave.  And, as you can see, the fell line was not exactly straight afterwards!

If you can believe it, I had yet another surprise after I hemmed and washed the newly woven eighth mat - it was too long. Not by a little bit, but by 4 inches!!  Somehow, despite following my notes (I thought), I wove one pattern repeat too many.  I swear, I do not know where my head is sometimes.  I was supposed to deliver the finished products two days later, but I had to work those two days, so there was no time to weave another.  I brought the runner, the 7 matching mats, and one of the slightly smaller ones to the recipient, explained the situation, and gave her a choice.  She could A) give 7 matching mats, B) use one of the smaller ones to make up a set of eight, or C) have me try to weave another mat to match.  The wedding is not until Oct 11, so there would have been time.  She chose to take a smaller one, stating that no one would notice.  Of course, to me it is a glaring difference!  She was very appreciative, for which I was so thankful.

So today I sat at the loom again to weave however many smaller mats I can get off of this warp.  It wasn't long before I thought I felt a 'pop.'  Then another.  Yep, the ties were breaking under the strain of a tightened warp.  I fished out some nylon cord, and had to lash the sticks on from under the loom, which is no easy feat when the loom is a Baby Wolf, which is pretty small.  So far, it seems to be holding!

And looky what came home a week or so ago:

Sticks!  Of wood!  That is slowly becoming...

a Glimakra Standard countermarche loom!! 47" weaving width, 4 shafts for now, but room for 8.  It is so very different from any loom I've used, that I see a HUGE learning curve ahead of me.  Which is great, because, you know, my brain has been great at keeping track of things lately!  And it is so enormous!  It takes up almost half of my living room.  Ideally I'd love to get it upstairs, and since it comes apart and goes together relatively easily, it can be done, but my little tiny loom room would be a bit overwhelmed.  I just really like having a weaving space where I don't have to worry about kitties getting mischievous, and the living room is their playground.  Any words of wisdom about these kinds of looms would be great.  I have to come up with an easy, smallish first project to put on her, to work out the kinks.

Anyone know of anybody out there who would like a Leclerc Fanny 45" loom?  It comes with a sectionaly beam, tension box, spool rack, and a shuttle, located in midcoast Maine. Asking $650, local pick up only.

Friday, September 12, 2014

Of Course!

So, since coming back from my little musical vacation, I've jumped back into weaving the placemats as much as possible so I can get them done in time for the wedding in early October.  I have the draft memorized, so the weaving is easy enough to get 2-3 done in one session.  Plenty of yarn available, pirns wound - check.  I only had one more mat to go before the project was done!

Weaving commenced, and all went swimmingly.  I wove  three pattern repeats, but as I started the fourth, the measurements were not consistent with what I had measured on the other mats.  So I looked at the newly woven cloth as it was heading towards the cloth beam, and I saw my mistake right away:  I had repeated a section of the pattern that was not meant to be repeated, and I had done it a pattern and a half back.  I started to unweave, but soon realized that this called for more drastic action.

Yep, I decided to cut out all the weft and start again.  You can see the mistake above - the diamond-y shapes that look like mirror images of themselves (the cut line almost reaches the middle of the mistake). Those make up the "arms" of the crystals, and there's only supposed to be one set.  Surprisingly, the cutting was the easy part - pulling the weft out took a lot more concentration and was more "fiddly."   I ended up pulling out quite a bit of one side before tackling the other.

I was feeling pretty good about myself once I fixed that issue!  Onward and upward!!

The original plan was to weave each mat to 26" under tension, but when I wove the first one, including the 4 planned repeats at the beginning and end of each mat, I saw that it was much shorter than 26", so I increased the repeats to 6 for the wedding mats.  (Yes, I know, I should have sampled!!).  Because I had already woven one mat with 4 repeats, I thought I would weave 3 more identically so I would have a set of four to put up for sale in my Etsy shop.  As I got towards the end of the warp, I had just enough left to weave one of the smaller mats, so there would be an extra just in case - bonus!!

By the time the warp was woven, I had had to repair quite a few ends, as you can see.  It was like an emergency room back there!

Yesterday was the big day, the day to take them all off the loom and start what I call the processing part of weaving; sewing, cutting, pinning, sewing some more, etc.  And that's when I saw it, the error that threw a huge monkey wrench into the whole project.  One of the wedding mats (with 6 repeats), did not have the 1.5" of white 20/2 hem on one end.  I had finished the previous mat, including hems, then threw 2 shots of red for the cutting line, then started to weave the body of the next mat without weaving another hem!  I've done this same thing once before, ages ago, and it is one of those errors that you can't work around.  I don't know how I missed such a thing when I did it.  I thought about making two hems from the single 1.5" hem, but then all of the hems would have to be that short, which would create thicker hems due to the extra material, and much shorter mats.  Aaarrgghh!  (Sorry, no photo - I was just too disgusted to think of getting the camera).

So, I am yet again under the gun, and putting another warp on the loom.  I am putting on enough to weave another set of 4, in addition to the one mat I need to complete the order.  At least I can cut the first one off as soon as it's done, so the time committment will relax a bit.

And speaking of warping, I have noticed that since I've started using a warping mill, I am having terrible tension issues when putting the warp on the loom, and I don't know why.  All I can think of is that the ends have to change from one plane to another twice, so maybe that causes the issues??? The pegs are horizontal (parallel to the floor), but the yarn then gets wound and builds up vertically, before going back to horizontal at the other ends.  Does anyone else find this to be the case?  Any sage words from more experienced weavers??  Just putting the second, shorter warp on today, I thought I wouldn't have any problems because it was only 4.5 yards long, but I was mistaken.  I had a terrible time winding on.

Monday, September 1, 2014

I'm back..

I've been remiss in my blogging, but I do have a valid reason for it.  I've just returned from a week at adult band camp!  Ok, ok, you can stop laughing now.  What started as a great Christmas present idea for the husband, turned into a "vacation" for both of us.  We haven't had a vacation away from our house in many, many years, so this was a big step.  The camp was on a lake in central Maine, and it was truly beautiful there.  This was the view from the porch of the lodge where we "slept".

I use the work "slept", but really, it was more of a tossing and turning rest period most nights.  The weather was extremely hot for Maine at this time of year, and humid, so everyone was roasting (no A/C).  Our room was also right above the kitchen, so there was all sorts of clanging and banging going on early in the AM.  I had my alarm set for 6:20 AM, and did not need it once.  The mattress was extremely soft, so any movement by either of us and it felt like an aftershock had occurred.  AND, there was a train.  Or three.  Several nights were filled with the melodious sounds of train whistles.  I think this is where my 19 years of being a night nurse came in handy, since I'm used to being sleep deprived.

There was no lack of things to do.  Different buildings, large and small, were strewn around the property.  Some were tiny cabins that could be used to practice, and some held seminars and/or rehearsals.  Several times a day everyone was seen walking back and forth from one thing to the next, lugging their instruments.  The final concert was held in the "Bowl," the second largest outdoor amphitheater in the US.  This is a photo of it, but not taken when we were there.

There were 120 of us campers, plus faculty, and during the one piece that we all played together, we filled this space.  It really was impressive.  We campers were split into two groups, one for concert band, and the second for symphonic band.  There also were opportunities to play in ensembles large and small, and many did, performing them the night before at a talent show.  I learned a lot, both good and bad, about my abilities and music in general.  There were other challenges as well, especially around food.  I have to eat gluten and dairy free, plus I choose to eat no meat, so you can imagine how little I could eat of the food prepared for us.  It can make for a very strong feeling of isolation, as you watch all manner of food being enjoyed by everyone but you.  But that's a topic for another day.

I finally got back to the loom today, just for an hour, and I had to familiarize myself again with the draft for the placemats.  Unfortunately, some unweaving had to be done, but I think I'm back to where I was before we left.  I return to work in four days, so I'm hoping to have the lion's share of the weaving done before then.

Wednesday, August 13, 2014

Found it!!

My mojo, that is!

I was asked to weave a table runner and 6-8 placemats for a wedding in October, and between work responsibilities and a short trip soon, I felt a bit of a time crunch sneaking its way into my head.  At first I couldn't even decide what weave structure to use, which, of course, led to more panic.  I kept thinking that overshot would work, but since I have yet to actually weave overshot, it seemed like a bad (read slow) idea, not to mention having to weave with 2 shuttles, thus slowing everything down even more. Still, it seemed like the only idea I could come up with, until.... I remembered the wonderful snowflake/crystal draft that I've woven several times in the past.  Except for a bit of math, it was all written down from other projects, so that saved some time.  I decided to go with 10/2 cotton for this iteration, and I think I've made a wise choice.

The draft is an eight shaft pattern, so I dressed my little BW with bleached cotton, planning for an approximately 60" finished piece.  I also decided to do a bit of "fancy" work on the hems, so I wove several inches in white, hemstitched, added a spacer, then started with the weft with some more hemstitching.  Susan Harvey, otherwise known as weeverwoman (http://weeverwoman.blogspot.com/) has an in depth tutorial on some of the ways to increase the wow factor by hemstitching such as this. I've admired her weaving forever, but this was the first time I decided to use the technique myself.

For weft I chose a medium silvery gray, as the happy couple has a black table, and white and silver plates.  When looking at the weft cones that I ordered, I thought it might be a bit too dark, but the next lighter color would have had little contrast with the bleached warp.

Today is a very rainy day here on the coast of Maine, so after breakfast and bit of exercise, I headed up to the loom room, and managed to get most of the body of the runner finished!  I did have a bit of a senior moment at one point and unwove 32 rows because I was sure I had made a mistake.  After weaving another ~30 rows or so, I recognized that, no, the first was correct, so unweave again did I! That wasted quite a bit of time, but the rest went well.  I'm now at the point of doing some repeats that will lead to the hemstitching at the other end.  I just love this pattern, don't you?

There is a 4 shaft version of this made available by Laura Fry on Ravelry, called Canadian Snowflake.  I will use that for the placemats, because it is easier to put a long warp on the Fanny, which only has 4 shafts.  Yes, I do need to do some more math, once I figure out what the finished width of a placemat should be.  Any suggestions out there?

Another conundrum perkolating in my noggin is the possibility of obtaining another loom.  The ONLY reason I am even considering it is that it is the same width as the Fanny (45"), but has 8 shafts and is a countermarche (convertible to a jack?!?).  Theoretically, I could sell both of my other looms if this is a good fit.  I know I'd love a CM loom, and the width is perfect.  It was made by Leclerc, and is a Colonial, which is mostly pegged together, so it will be easy to get it in the loom room.  It is no longer made, which makes me a bit suspicious, though.  Does any weaver out there know anything about this loom?  The seller is being very helpful, and will be sending more photos.  She says it just needs some texsolv and a couple of small hardware bits to be usable.  Temptation, temptation!

Sunday, August 3, 2014


I've had the worst case of weaver's block lately!  It's like the baby wraps sucked every bit of creative juices out of me, leaving only a pathetic, empty husk.  OK, a bit overly dramatic, but it's a terrible feeling. Now is the time to stock up for the holidays (I know, I know - seems way too soon to me too!), but except for a merino/tencel scarf requested by a coworker, I've been unable to come up with any ideas or designs at all.

I know I need to make some more tea towels.  Check.  Structure first?  Hmmm..tabby? twill? overshot? summer and winter?  Um, I dunno.  Maybe if I concentrate on colors, I'll be inspired!  Dum, de dum...  I toodle on up to the studio; look at all the pretty colors!! What if I combined this one with..er, that, or maybe this other.. Oh, I really don't have quite enough of these here to make much.  But I have shelves of yarn!!  Surely something can come of all this!  What if... Or how about...  Nuthin'!  Well, gosh, I'm kind of hungry, so if I go downstairs and eat, I'll have more energy to design something!

Yum, that was good!  So, back to the towel conundrum.  What if I made twill stripes with these two, separated by the natural...well, no, the natural weft would wash out the colors.  I think... no, I'm not thinking at all.  I. Have. Absolutely. No. Idea. What. To. Weave!!

That's the mindset I went to bed with last night. No wonder I had trouble falling asleep!  Got up this morning, read the paper (yep, I'm that boring), finished my breakfast, visited with the Second Son who was up for a visit, and, as is our usual, we went for a walk together.  Miraculously, while discussing everything and nothing on the walk, I realized what I could weave for my next batch of towels.  Nothing earth-shattering, but an eight shaft, turned twill Drall design, with a natural warp, and several different colors for weft.  No stress about having enough of any one color to make a set - each towel can be different from the next one.  I think I just needed to get out of my own head for a bit.  I'll be measuring out a 13 yard warp sometime this week!

And here's a quick shot of the merino/tencel scarf in progress. This yarn is sooo soft!

Those slight irregularities you see will even out in the wet finishing process.  This will be a super quick project, though I have to be mindful of not beating in the weft, but placing it consistently.  Actually, that is a really hard thing for me to do.  Give me a good ol' "wham the yarn into place" any day!